Friday, June 27, 2008
Really. Really? I love Liza Minelli. Really. I do.
Really. Really? Really. Wow. As the commenter said, 'How did these four get into a church?" (Watch SNL's Seth and Amy Pouler's 'Really' segment.)
This is the Liza I prefer to admire:
This combines her simple look with Warhol's skills - love them both! I would like to see Liza in person some day, take a look at her great legs, and wear a nice black outfit to honor her and laugh that unmistakeable laugh.
ps - she may make an appearance in the alleged Arrested Development movie as Lucille Austero/Buster's mom. I mean girlfriend.
Tuesday, June 17, 2008
Ghostbusters!
k8
Sunday, June 15, 2008
When you're driving across the country...
Don't miss the Nelson-Atkins Museum in Kansas City, MO. It's $5 to park with free admission to the museum. They have great stuff - like this.
Michelangelo Merisi, called Caravaggio, Italian, 1571-1610
Saint John the Baptist in the Wilderness, 1604-1605
Oil on canvas
Unframed: 68 x 52 inches (172.72 x 132.08 cm) Purchase: Nelson Trust, 52-25
"This masterpiece, one of the Museum’s greatest treasures, is one of only a few original works by Caravaggio in American collections. Although he never took in pupils, Caravaggio’s enormous influence on other artists played a vital role in the development of the Italian Baroque. In this Saint John the Baptist, Caravaggio has traded idealism for what oftentimes became in his own time a controversial realism.
He has literally stripped the Baptist of nearly all traditional attributes (halo, lamb and banderole inscribed Ecce Agnus Dei or Behold the Lamb of God), leaving the brooding intensity of his emotional state as the subject of the painting. Saint John’s solemn pensiveness is reinforced by a Caravaggio trademark: the dramatic contrast of deep, opaque shadows, playing across the body and shrouding the sockets of the eyes, with a bright light that illuminates the Baptist from above and to his right.
This stark contrast of light and darkness, the brilliant scarlet of the saint’s cloak and Caravaggio’s placement of him in the foreground close to our own space, all contribute to the dramatic impact of the painting. Evidence of Caravaggio’s working method, in which he incised lines into the gesso ground to guide his hand while painting, can be easily seen along the sitter’s left leg in the right corner. Caravaggio most likely borrowed the Baptist’s pose from one of Michelangelo’s seated prophets and sibyls on the ceiling of the Sistine Chapel in the Vatican, Rome."
So, for $5, you can see the work of this great artist right here in America. You don't have to get on a transatlantic flight sitting by smelly strangers, you don't have to pay 7.80 Euro's because of the poor exchange rate, and then you can go see an 18' tall Shuttlecock. There are four of these 'birdies' displayed on the vast greens of the museum. They look as though they fell during a game of badmitten on opposite sides of the net.
Thursday, June 5, 2008
Presenting...our new look
Monday, June 2, 2008
What our house is going to look like
Does anyone know anyone who can carve a stone toad? We are on Lester Lee's (teaches at Woods Cross) list, but he's 8 months out. So, if you know anyone, let me know.
k8